2021年8月26日 星期四

Sony A7 II + Konica、Voigtlander L39 Lens Test 鏡頭測試

2021.8.24-26

Recently, I've collected three L39 lenses:
  1. Konica Hexanon 35/2: Derived from Konica's fixed-focus automatic camera Hexar, this lens was limited to 1000 units in 1996. It features a 7-element, 6-group design, reportedly inspired by the Leica Summicron 35/2. It has a minimum focusing distance of 0.9 meters, aperture range from 2 to 16, and a 46mm filter thread. It comes with original lens hood and front/rear caps. The one I have is numbered "853."
  2. Kinishiroku Hexar 50/3.5: This lens emulates the design of the Leitz Elmar 5cm f/3.5. It has a 4-element, 3-group Zess Tessar design, with a minimum focusing distance of 3.5 feet and aperture range from 3.5 to 22. It was first sold in 1955, paired with Japanese-made cameras mimicking the Leica III (L39) such as Chiyotax, Leotax, Nicca, etc.
  3. Voigtlander Color-Heliar 75/2.5: Released in 1999, this is said to be the first 75mm lens with an L39 mount after World War II. It features a 6-element, 5-group design, with a minimum focusing distance of 3.5 feet or 1 meter, and aperture range from 2.5 to 16. It has a filter thread of 43mm.

最近收集了三顆L39鏡頭: 
  1. Konica Hexanon 35/2 源自Konica的定焦自動相機Hexar的鏡頭,在1996年限量銷售1000顆,鏡組是7片6群的結構,據說是源自Leica Summicron 35/2的設計,最近對焦距離為0.9米,光圈為2~16,濾鏡口徑46mm,附有原廠遮光罩與鏡頭前後蓋,我手邊的這顆是編號"853"。
  2. Kinishiroku Hexar 50/3.5 模仿 Leitz Elmar 5cm f/3.5 設計的鏡頭,鏡組同樣是是4片3群的Zess Tessar設計,最近對焦距離為3.5英呎,光圈為3.5~22,濾鏡口徑34.5mm。首次銷售是在1955年,搭載一樣是模仿Leica III (L39)相機的日本製相機,如Chiyotax、Leotax、Nicca等品牌。
  3. Voigtlander Color-Heliar 75/2.5 1999年上市,據說是二次世界大戰後的第一顆L39接環的75mm鏡頭,鏡組是6片5群的結構,最近對焦距離為3.5英呎/1米,光圈為2.5~16,濾鏡口徑43mm。

The 1955 Kinishiroku Hexar 50/3.5 lens, paired with the 2015 Sony A7 II, demonstrates how the advent of full-frame mirrorless digital cameras has revived many vintage lenses in the digital imaging era. Additionally, it's suggested to consider versions of Leica L39 to Sony E mount adapters with close focusing functionality, allowing traditional rangefinder lenses with limited focusing to focus closer than 1 meter.

1955年的 Kinishiroku Hexar 50/3.5 老鏡搭上 2015年的 Sony A7 II,多虧全幅無反數位相機的問世,讓許多老鏡可以在數位影像時代重生。另外,也建議Leica L39 轉 Sony E接環的版本可以選購有微距條焦功能的版本,可讓傳統只能對焦到1米左右的測距相機鏡頭可以近拍到1米以內。



Sony A7 II with Kinishiroku Hexar 50/3.5



Leotax K with Kinishiroku Hexar 50/3.5



Left to right: Konica Hexanon 35/2, Kinishiroku Hexar 50/3.5
and Voigtlander Color-Heliar 75/2.5



Left to right: Konica Hexanon 35/2, Kinishiroku Hexar 50/3.5
and Voigtlander Color-Heliar 75/2.5


In late August 2021, as the first wave of the Covid-19 pandemic in Taipei gradually subsided, restrictions began to ease, and kids' soccer training resumed. During a few days when I had spare time while accompanying my child to classes at Da Jia Riverside Park, I took a stroll nearby with these three L39 lenses and the Sony A7 II camera, capturing some test shots.


2021年8月下旬,台北第一波Covid-19重大疫情逐漸消退,大家也開始解封,小孩的足球集訓也展開了。趁著幾天到大直迎風河濱公園陪小孩上課的空檔,我帶這這三顆L39鏡頭和Sony A7 II相機在附近逛了一圈,留下一些測試相片。



Konica Hexanon 35/2



Konica Hexanon 35/2



Voigtlander Color-Heliar 75/2.5



Voigtlander Color-Heliar 75/2.5



Kinishiroku Hexar 50/3.5



Kinishiroku Hexar 50/3.5



Kinishiroku Hexar 50/3.5



Kinishiroku Hexar 50/3.5

2020年1月4日 星期六

Mamiya-Fujifilm Universal InstaxW : ) : ) : )

Today, I'd like to share the results of shooting with the Mamiya Universal, 127/4.7 lens, and Fujifilm Instax Wide instant film. Prior to shooting, besides the Mamiya camera and the original Polaroid back, preparation also involved acquiring a Fujifilm instant camera (I found a used Instax 200 with a malfunctioning LCD display) and a large changing bag. For detailed operating procedures, those interested can refer to the link "This May Be the Best Quality Instax! Teach You How to Shoot Fuji Instax Paper in Three Sizes with Mamiya RB67." I named this combination "Mamiya-Fujifilm Universal InstaxW." Of course, the same procedure can also be applied to the Hasselblad 500C camera, which I'll share next time if given the opportunity.


今天來分享一下用 Mamiya Universal, 127/4.7 與 Fujifilm Instax Wide 拍立得底片所拍攝的結果,事前的準備除了Mamiya相機與原廠拍立得機背外,亦須準備一台Fujifilm的拍立得相機(我找了一台液晶顯示故障的二手Instax 200)以及一個大暗袋,詳細操作程序有興趣可以參考連結 「这可能是画质最好的拍立得!教你用Mamiya RB67拍摄三种尺寸的富士拍立得相纸」。我把這個組合取了個名字 "Mamiya-Fujifilm Universal InstaxW",當然,同樣的操作也可以用在 Hasselblad 500C相機上,這部分下次有機會再分享。



Left: Fujifilm Instax 200 Right: Mamiya Universal with 127/4.7mm

In this outdoor test session, I recruited my son, who has recently taken a liking to baseball, as my model. Since the sun was quite intense, we found a spot with building shadows to shoot, to avoid excessive contrast and loss of detail. The Fujifilm Instax Wide film has an ISO sensitivity of 800. The light meter reading handheld showed f5.6+0.5 at 1/250s, so I decided to shoot at f5.6, 1/250s. After developing, I was slightly disappointed as the photos had a greenish tint, possibly due to shooting in the shade. Nevertheless, my son's pose was perfect. Below are the digital scans made with an Epson L350 scanner and printer. I added a touch of warmth to enhance the overall feel. Honestly, getting the correct exposure with instant film is a bit tricky.


在這次戶外試機中,我請最近迷上棒球的兒子當我的Model。太陽有點大所以我們找了有建築物陰影的地方來拍攝,可以避免明暗反差過大、細節盡失。Fujifilm Instax Wide相紙的感光度為ISO 800,手持測光表測得的光線是 f5.6+0.5,1/250s,當下決定用 f5.6,1/250s拍攝。當下顯影出來後有點小失望,可能是在陰影下拍攝,所以相片顏色偏綠,不過兒子的pose倒是一百分。以下是用 Epson L350 平台掃描器暨印表機所掃描出的數位版,我有稍微加一點點暖色調,讓整體感覺好一些。說真的,拍立得相紙的正確曝光「不好抓」。




Mamiya Universal, 127mm f5.6, 1/250s
Fujifilm Instax Wide ISO 800



Mamiya Universal, 75mm f11, 1/125s, Fujifilm Instax Wide ISO 800



Mamiya Universal, 127mm f11, 1/125s, Fujifilm Instax Wide ISO 800



Mamiya Universal, 127mm f11, 1/125s, Fujifilm Instax Wide ISO 800