2020年1月4日 星期六

Mamiya-Fujifilm Universal InstaxW : ) : ) : )

Today, I'd like to share the results of shooting with the Mamiya Universal, 127/4.7 lens, and Fujifilm Instax Wide instant film. Prior to shooting, besides the Mamiya camera and the original Polaroid back, preparation also involved acquiring a Fujifilm instant camera (I found a used Instax 200 with a malfunctioning LCD display) and a large changing bag. For detailed operating procedures, those interested can refer to the link "This May Be the Best Quality Instax! Teach You How to Shoot Fuji Instax Paper in Three Sizes with Mamiya RB67." I named this combination "Mamiya-Fujifilm Universal InstaxW." Of course, the same procedure can also be applied to the Hasselblad 500C camera, which I'll share next time if given the opportunity.


今天來分享一下用 Mamiya Universal, 127/4.7 與 Fujifilm Instax Wide 拍立得底片所拍攝的結果,事前的準備除了Mamiya相機與原廠拍立得機背外,亦須準備一台Fujifilm的拍立得相機(我找了一台液晶顯示故障的二手Instax 200)以及一個大暗袋,詳細操作程序有興趣可以參考連結 「这可能是画质最好的拍立得!教你用Mamiya RB67拍摄三种尺寸的富士拍立得相纸」。我把這個組合取了個名字 "Mamiya-Fujifilm Universal InstaxW",當然,同樣的操作也可以用在 Hasselblad 500C相機上,這部分下次有機會再分享。



Left: Fujifilm Instax 200 Right: Mamiya Universal with 127/4.7mm

In this outdoor test session, I recruited my son, who has recently taken a liking to baseball, as my model. Since the sun was quite intense, we found a spot with building shadows to shoot, to avoid excessive contrast and loss of detail. The Fujifilm Instax Wide film has an ISO sensitivity of 800. The light meter reading handheld showed f5.6+0.5 at 1/250s, so I decided to shoot at f5.6, 1/250s. After developing, I was slightly disappointed as the photos had a greenish tint, possibly due to shooting in the shade. Nevertheless, my son's pose was perfect. Below are the digital scans made with an Epson L350 scanner and printer. I added a touch of warmth to enhance the overall feel. Honestly, getting the correct exposure with instant film is a bit tricky.


在這次戶外試機中,我請最近迷上棒球的兒子當我的Model。太陽有點大所以我們找了有建築物陰影的地方來拍攝,可以避免明暗反差過大、細節盡失。Fujifilm Instax Wide相紙的感光度為ISO 800,手持測光表測得的光線是 f5.6+0.5,1/250s,當下決定用 f5.6,1/250s拍攝。當下顯影出來後有點小失望,可能是在陰影下拍攝,所以相片顏色偏綠,不過兒子的pose倒是一百分。以下是用 Epson L350 平台掃描器暨印表機所掃描出的數位版,我有稍微加一點點暖色調,讓整體感覺好一些。說真的,拍立得相紙的正確曝光「不好抓」。




Mamiya Universal, 127mm f5.6, 1/250s
Fujifilm Instax Wide ISO 800



Mamiya Universal, 75mm f11, 1/125s, Fujifilm Instax Wide ISO 800



Mamiya Universal, 127mm f11, 1/125s, Fujifilm Instax Wide ISO 800



Mamiya Universal, 127mm f11, 1/125s, Fujifilm Instax Wide ISO 800

2019年11月29日 星期五

Hasselblad 500c and four Zeiss Lenses . . : Go Go GO! @ Taipei Water Museum 自來水博物館

Today I'm going to share about this group of Grandpa-level medium-format cameras. I got hold of this 500c probably before 2009, but it wasn't my first Hasselblad set. My first set should have been around 2000, when I collected the 500cm, 50/4 C black lens, 80/2.8 CF, and 180/4 CF. I remember taking it to shoot the scenery of Kinmen. This set of Hasselblad focuses on the Carl Zeiss C white lenses from the same period as the 500c, which should have some differences in coating technology compared to the later red T C black lenses and red T* CF black lenses.

The shooting location this time is the popular wedding photography holy ground in Taipei - the Taipei Water Museum. The black and white film used is ILFORD HP5 PLUS 400, scanned with an EPSON V750PRO scanner. Actually, I've never been able to handle scanning well, but at least it's better than the digital files scanned by general stores.

今天來分享一下這組阿公級的中型相機。入手這台500c應該是2009年以前的事了,不過不是我的第一組哈蘇。第一組應該是早在2000年左右,當初收集了500cm, 50/4 C 黑鏡, 80/2.8 CF 和 180/4 CF,記得曾經帶去拍攝過金門風情。這組哈蘇,專攻500c同一時期的 Carl Zeiss C 白鏡,跟後來的紅T C黑鏡和 紅T* CF黑鏡再鍍膜技術上應該是有些差異。

本次拍攝地點是台北熱門的婚紗攝影聖地-自來水博物館,黑白底片是ILFORD HP5 PLUS 400,底掃是EPSON V750PRO。其實我對底掃一直沒有辦法操作的得心應手,不過至少比一般店家掃的數位檔好一些。


Left to right: Hasselblad 150/4, 250/5.6, 500c with 80/2.8 and 50/4
Back: Domke F-2

"During the Japanese colonial period in the 40th year of the Meiji era (1907), the Governor-General's Office invited William K. Burton, a British consultant for the Ministry of Internal Affairs of Japan at the time, to assist in sanitary engineering in Taiwan. This included water source surveys. Following Mr. Burton's advice, a water intake was built by the Xindian River at the foot of Mount Xia Guanyin, with the aim of taking raw water. A water treatment plant was established at the foothills, treating the water before pumping it to a reservoir on the mountainside. By gravity, the treated water naturally flowed down to supply daily water to residents.

In the 41st year of the Meiji era (1908), the water intake and pumping station buildings and equipment were completed. In the 42nd year of the Meiji era (1909), the water supply pipelines, water treatment plant, and reservoir were fully completed. The water treatment plant began supplying water, with an output of 20,000 tons. The first phase aimed to supply water to 120,000 people and was named the Taipei Water Source Slow Filtration Plant. From then on, Taipei's water supply entered the era of modernization.

*Source: Investigation and research on the third-class historical site of Taipei City's water source pumping station, November 1997, Research by the Department of Building Engineering, China Institute of Technology, commissioned by the Taipei City Government Civil Affairs Bureau. A Hundred Years of Taipei Waterway, Compiled by Taipei Water Department, Text by Chen Huangzhi."

"日治時期明治40年(1907年),總督府聘請當時日本內務省擔任衛生工程顧問的英國人威廉巴爾頓(William K. Burton)來臺,協助負責衛生工程包括了水源調查,依巴爾頓先生生前之建議, 在今公館小觀音山腳下新店溪畔建取水口,以引取原水;在山麓設淨水場,進行淨水處理,再將處理過之清水,以抽水機抽送至山上之配水池,藉由重力方式自然流下,供應住戶日常用水。

日治時期明治41年(1908年)取水口、唧筒室建築與設備裝置先行完成,日治時期明治42年(1909年)輸配水管、淨水場及配水池全面完工,淨水場開始供水,出水量2萬公噸,第一期計畫用水人口12萬人,並命名為臺北水源地慢濾場,從此臺北自來水開始邁入現代化之供水系統。

*資料出處:台北市三級古蹟水源地唧筒室之調查研究,1997/11,中國工商專科學校建築工程科研究,台北市政府民政局委託 臺北水道百年風華,臺北自來水事業處編印,陳皇志撰文"




Carl Zeiss Sonnar 150/4


Carl Zeiss Planar 80/2.8


Carl Zeiss Sonnar 150/4


Carl Zeiss Sonnar 250/5.6


Carl Zeiss Sonnar 250/5.6


Carl Zeiss Planar 80/2.8


Carl Zeiss Distagon 50/4


Carl Zeiss Distagon 50/4